{"id":81,"date":"2013-12-01T05:30:33","date_gmt":"2013-12-01T13:30:33","guid":{"rendered":"http:\/\/lookbook.colorist.us\/?p=81"},"modified":"2013-12-08T05:26:21","modified_gmt":"2013-12-08T13:26:21","slug":"minority-report-high-contrast","status":"publish","type":"post","link":"http:\/\/lookbook.colorist.us\/?p=81","title":{"rendered":"Minority Report &#8211; high contrast"},"content":{"rendered":"<p>The high contrast look of Minority Report can be misleading. In this shot the blacks are actually lifted and highlights are a good bit below max. This allows for a nice smooth roll off into black and a feeling of deep deep shadows without having a crushed or crunchy clipping feel. The highlights also have a bloom that softens the hard contrast and adds a dream like layer to the experience, as if a subtler version of the pre-cognition seen by the oracles of the film. This relationship heightens the experience in its assertion that the plot is itself a premonition of our own real world future.<\/p>\n<div id=\"attachment_80\" style=\"width: 724px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/lookbook.colorist.us\/wp-content\/uploads\/2013\/12\/MinorityReport-052.png\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-80\" class=\"size-large wp-image-80\" alt=\"Minority Report (2002) - Color Timer  Dale E. Grahn digital color timer: PDI\/Dreamworks Begonia Colomar; color timing supervisor: ILM Kenneth Smith   Super 35 mm (Kodak Vision 500T 5279, Vision 800T 5289, Eastman EXR 200T 5293, Fuji Super F-500T 8572) Print 2.35 : 1 Technicolor 35 mm (anamorphic) (Kodak Vision Premier 2393)\" src=\"http:\/\/lookbook.colorist.us\/wp-content\/uploads\/2013\/12\/MinorityReport-052-1024x614.png\" width=\"714\" height=\"428\" srcset=\"http:\/\/lookbook.colorist.us\/wp-content\/uploads\/2013\/12\/MinorityReport-052-1024x614.png 1024w, http:\/\/lookbook.colorist.us\/wp-content\/uploads\/2013\/12\/MinorityReport-052-300x180.png 300w, http:\/\/lookbook.colorist.us\/wp-content\/uploads\/2013\/12\/MinorityReport-052.png 1280w\" sizes=\"auto, (max-width: 714px) 100vw, 714px\" \/><\/a><p id=\"caption-attachment-80\" class=\"wp-caption-text\">Minority Report (2002) &#8211; Color Timer Dale E. Grahn<br \/>VFX: digital color timer: PDI\/Dreamworks Begonia Colomar; color timing supervisor: ILM Kenneth Smith<br \/>Super 35 mm (Kodak Vision 500T 5279, Vision 800T 5289, Eastman EXR 200T 5293, Fuji Super F-500T 8572)<br \/>parts of the film were processed with bleach bipass<br \/>Print 2.35 : 1 Technicolor 35 mm (anamorphic) (Kodak Vision Premier 2393)<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The high contrast look of Minority Report can be misleading. In this shot the blacks are actually lifted and highlights are a good bit below max. This allows for a nice smooth roll off into black and a feeling of deep deep shadows without having a crushed or crunchy clipping feel. The highlights also have [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1],"tags":[22,23,21,40,24],"class_list":["post-81","post","type-post","status-publish","format-standard","hentry","category-review","category-lookbook","tag-bloom","tag-cool","tag-high-contrast","tag-icon","tag-sci-fi"],"_links":{"self":[{"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=\/wp\/v2\/posts\/81","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=81"}],"version-history":[{"count":6,"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=\/wp\/v2\/posts\/81\/revisions"}],"predecessor-version":[{"id":90,"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=\/wp\/v2\/posts\/81\/revisions\/90"}],"wp:attachment":[{"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=81"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=81"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=81"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}