{"id":91,"date":"2013-12-01T06:10:52","date_gmt":"2013-12-01T14:10:52","guid":{"rendered":"http:\/\/lookbook.colorist.us\/?p=91"},"modified":"2013-12-08T05:25:56","modified_gmt":"2013-12-08T13:25:56","slug":"minority-report-magenta-patches-on-skin","status":"publish","type":"post","link":"http:\/\/lookbook.colorist.us\/?p=91","title":{"rendered":"Minority Report – magenta skin"},"content":{"rendered":"

Magenta areas of the face can show a vulnerable emotional connection to the other character on screen. Often present at intense or cathartic moments: breakups, sexuality, flirtation, this is not a sign of physical pain or weakness, but an inability to overcome the emotional impact of, or receptiveness to, the other character’s identity.<\/p>\n

\"MinorityReport<\/a>

Minority Report (2002) – Color Timer Dale E. Grahn
VFX: digital color timer: PDI\/Dreamworks Begonia Colomar; color timing supervisor: ILM Kenneth Smith
Super 35 mm (Kodak Vision 500T 5279, Vision 800T 5289, Eastman EXR 200T 5293, Fuji Super F-500T 8572)
parts of the film were processed with bleach bipass
Print 2.35 : 1 Technicolor 35 mm (anamorphic) (Kodak Vision Premier 2393)<\/p><\/div>\n

\"MinorityReport<\/a><\/p>\n

 <\/p>\n

\"Minority<\/a>

Minority Report (2002)
Partners face off in an unfortunate circumstance;
both must follow their assigned path despite how it might hurt the other.<\/p><\/div>\n

\"MinorityReport<\/a>

John Anderton plays opposite an adversary.
Confused, hurt, but decisive, he is not vulnerable to the emotions of the other character (pictured below).<\/p><\/div>\n

 <\/p>\n

\"MinorityReport<\/a>

Making his confession the adversary puts his life in John’s hands.<\/p><\/div>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Magenta areas of the face can show a vulnerable emotional connection to the other character on screen. Often present at intense or cathartic moments: breakups, sexuality, flirtation, this is not a sign of physical pain or weakness, but an inability to overcome the emotional impact of, or receptiveness to, the other character’s identity.     […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[3,1],"tags":[22,23,14,15,40,25,24],"class_list":["post-91","post","type-post","status-publish","format-standard","hentry","category-review","category-lookbook","tag-bloom","tag-cool","tag-cyan","tag-day","tag-icon","tag-magenta","tag-sci-fi"],"_links":{"self":[{"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=\/wp\/v2\/posts\/91","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=91"}],"version-history":[{"count":8,"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=\/wp\/v2\/posts\/91\/revisions"}],"predecessor-version":[{"id":104,"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=\/wp\/v2\/posts\/91\/revisions\/104"}],"wp:attachment":[{"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=91"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=91"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/lookbook.colorist.us\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}