Tag Archive | film

This Must Be The Place – cross processed

Cross processed slide film when balanced to appealing skin tones can send the rest of the picture to a strong vibrant green. In this case it’s used as a gritty fluorescent effect. This could also be described as an aquamarine wash with skin-tone recovery selections.

Both of these scenes have a sort of gross institutional feel, the kind of place you wouldn’t want to spend a lot of time, which says something about the motivations of the characters found there.

This Must Be The Place  -  digital intermediate colorist Andrea Orsini  35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219) negative to 2K digital intermediate

This Must Be The Place – digital intermediate colorist Andrea Orsini
35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219) negative to 2K digital intermediate

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This Must Be The Place – golden sunny

A hot gold wash sells this middle-American summer, balanced by a selection to maintain the rich cyan sky. Amber waves of grain show the classic beauty of an American road trip to a long time shut-in finally returning to the world.

This Must Be The Place  -  digital intermediate colorist Andrea Orsini  35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219) negative to 2K digital intermediate

A strong gold wash is balanced out by a rich cyan sky selection.

This Must Be The Place  -  digital intermediate colorist Andrea Orsini  35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219) negative to 2K digital intermediate

This Must Be The Place – digital intermediate colorist Andrea Orsini
35 mm (Kodak Vision3 200T 5213, Vision3 500T 5219) negative to 2K digital intermediate

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Moneyball – retro look

Moneyball has a fairly nostalgic look, not one harkening to the time it takes place -the mid 90s- but perhaps the 60s, a time I identify in film by the hue of their greens and blues, fairly dark mid tones, cream highlights, and lowish saturation levels.

This look reminds me of the men in the story who sit at the table as advisers to the Oakland A’s general manager Billy Beane (Brad Pitt). Men who grew up as baseball’s professional format cemented and were part of a generation in awe of Babe Ruth -always looking for that monolithic star communities gather around.

This film takes place in their world. It might be the 90s, but their formative years were in the 60s. This look makes Billy (Brad) feel stuck in that time. And now the Goliaths of economic disparity and a calcifying industry formula have left him little hope for an equal fair shake on the field. He struggles amongst the old guard for a new idea to stay alive, and new direction to make his mark.

Money Ball  -  Steve Bowen digital intermediate colorist  35 mm Negative (Kodak Vision3 250D 5207, Vision3 500T 5219) to 4K digital intermediate, Kodak Vision 2383 prints

Money Ball – Steve Bowen digital intermediate colorist
35 mm Negative (Kodak Vision3 250D 5207, Vision3 500T 5219) to 4K digital intermediate, Kodak Vision 2383 prints

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